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thewhore:

Since starting tumblr, I have been increasingly worried, no not worried per se, increasingly “eye-rolly” at the worship of Lolita that appears on my dash on a daily basis.  
Many years ago, had you asked me what my favourite book was, I would have replied, Lolita by Vladimir Nabakov.  I also loved both versions of the film, the Kubrick and the Lyne adaptations.  
I loved it for its narrative, for the amazing interpretation of a man, essentially a monster, when you remove yourself from the romanticism, that coerces a young girl into a sexual and emotional relationship, and later keeps her there, quite against her will.  The cleverness with which it was written, the empathy you found yourself feeling for Humbert and the disgust you felt with yourself for wishing it would work out astounded me.
So much so I wrote my first university thesis on the topic of nympholepsy.  
nym·pho·lep·sy Noun   /ˈnimfəˌlepsē/ 
Passion aroused in men by beautiful young girls
Wild frenzy caused by desire for an unattainable ideal
I was particularly impressed with the film version by Adrian Lyne, his ability to portray a girl, a twelve year old girl’s discovery of her sexuality and the power it has over older men.  
I remember being around that age, and discovering that I could make boys do things for me.  Discovering that men, fully grown men would stare at me by the pool just a little too long as I hopped out, discovering that I could coyly ask something of a teacher or an uncle or a family friend and with a little batting of my eyelashes, a touch of innocent cuteness, I would get my way with them.  
It was the discovery of flirtation. 
And Adrian Lyne portrays this perfectly in his adaptation of the book.  They way Lolita bounds up the stairs and throws herself onto Humberts arms, the way she sits on his lap chews and twists her gum, the way her lips envelop the straw as she sips from the cola bottle.  
But he does it so well, we forget that this story, the original story written by Nabakov is written in the perspective of an unreliable narrator.  That is, from the perspective of Humbert Humbert, who although he knows he shouldn’t be doing the things he is doing, is seeing it through paedophile tinted glasses, still on some level telling himself, telling us, willing us to believe that Lolita wanted it just as badly as he did.  
The fact of the matter is that this story, at the end of the day is about a TWELVE YEAR OLD GIRL that is sexually seduced and abused by her step father, who was complicit in the death of her mother, a man that lied to her, manipulated and controlled her, but because we are reading it from his perspective we tend to see his view and empathise with him.  
It doesnt make it any less wrong.
Sure I will masturbate to Lolita like porn, I will still find the whole taboo topic sexy and romantic on some level, because the fantasy of that whole thing IS sexy.  But the reality definitely isnt.
But what I wont do anymore is declare my love for it as publicly as I did. 
I am slightly distressed by the number of girls on tumblr that dont seem to truly understand what a monster Humbert was, and what a terrible story it is at the end of the day.  They just see the romance, the whim and wit and declare it is their favourite book or film, for all the wrong reasons.  

thewhore:

Since starting tumblr, I have been increasingly worried, no not worried per se, increasingly “eye-rolly” at the worship of Lolita that appears on my dash on a daily basis.  

Many years ago, had you asked me what my favourite book was, I would have replied, Lolita by Vladimir Nabakov.  I also loved both versions of the film, the Kubrick and the Lyne adaptations.  

I loved it for its narrative, for the amazing interpretation of a man, essentially a monster, when you remove yourself from the romanticism, that coerces a young girl into a sexual and emotional relationship, and later keeps her there, quite against her will.  The cleverness with which it was written, the empathy you found yourself feeling for Humbert and the disgust you felt with yourself for wishing it would work out astounded me.

So much so I wrote my first university thesis on the topic of nympholepsy.  

nym·pho·lep·sy Noun   /ˈnimfəˌlepsē/

  • Passion aroused in men by beautiful young girls
  • Wild frenzy caused by desire for an unattainable ideal

I was particularly impressed with the film version by Adrian Lyne, his ability to portray a girl, a twelve year old girl’s discovery of her sexuality and the power it has over older men.  

I remember being around that age, and discovering that I could make boys do things for me.  Discovering that men, fully grown men would stare at me by the pool just a little too long as I hopped out, discovering that I could coyly ask something of a teacher or an uncle or a family friend and with a little batting of my eyelashes, a touch of innocent cuteness, I would get my way with them.  

It was the discovery of flirtation. 

And Adrian Lyne portrays this perfectly in his adaptation of the book.  They way Lolita bounds up the stairs and throws herself onto Humberts arms, the way she sits on his lap chews and twists her gum, the way her lips envelop the straw as she sips from the cola bottle.  

But he does it so well, we forget that this story, the original story written by Nabakov is written in the perspective of an unreliable narrator.  That is, from the perspective of Humbert Humbert, who although he knows he shouldn’t be doing the things he is doing, is seeing it through paedophile tinted glasses, still on some level telling himself, telling us, willing us to believe that Lolita wanted it just as badly as he did.  

The fact of the matter is that this story, at the end of the day is about a TWELVE YEAR OLD GIRL that is sexually seduced and abused by her step father, who was complicit in the death of her mother, a man that lied to her, manipulated and controlled her, but because we are reading it from his perspective we tend to see his view and empathise with him.  

It doesnt make it any less wrong.

Sure I will masturbate to Lolita like porn, I will still find the whole taboo topic sexy and romantic on some level, because the fantasy of that whole thing IS sexy.  But the reality definitely isnt.

But what I wont do anymore is declare my love for it as publicly as I did. 

I am slightly distressed by the number of girls on tumblr that dont seem to truly understand what a monster Humbert was, and what a terrible story it is at the end of the day.  They just see the romance, the whim and wit and declare it is their favourite book or film, for all the wrong reasons.  

(via thewhorebaby)

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also i havent actually see it, “a dangerous method” that is.  any reviews? you think ill like it? hate it? gimme gimme opinions?

also i havent actually see it, “a dangerous method” that is.  any reviews? you think ill like it? hate it? gimme gimme opinions?

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Anonymous asked: i remember you mentioning a swedish movie which id wanted to see but had completely forgotten about until today. i went through your archive and cant seem to find it ? -xxo

hi, um ive mentioned lots of swedish films over the last year. i can make a list of some i guess and take your pick?  do you remember if it was an old film or a new film?

i went through a phase where i watched/rewatched a bunch of Ingmar Bergman films? one that i talked about on here a fair bit was Scenes from a Marriage I also mentioned Fanny and Alexander a few times. Ive also mentioned Autumn Sonata.

newer films i have mentioned are Lukas Moodysson films. one was Together, which was kinda beautiful.  and the famous Lilya 4-ever 

I also dug some Josef Fares films, especially Zozo because it was close to my middle eastern heart.  

then there was trust me starring  Alexander Skarsgård & Gustaf Skarsgård.  it was ok, cute ensemble type film.

if none of this is of any help to you check out this link on wiki http://en.wikipedia.org/wiki/Category:Lists_of_Swedish_films_by_decade

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thewhore:

melancholia by lars von trier.   kirsten dunst

thewhore:

melancholia by lars von trier.   kirsten dunst

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melancholia by lars von trier.   kirsten dunst

melancholia by lars von trier.   kirsten dunst

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melancholia by lars von trier.  alexander skarsgard and kirsten dunst

melancholia by lars von trier.  alexander skarsgard and kirsten dunst

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dogtooth


dogtooth

(via redlilith)

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the brown bunny 2003, vincent gallo & chloe sevigny

the brown bunny 2003, vincent gallo & chloe sevigny

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prince vince and chloe in the brown bunny 2003

prince vince and chloe in the brown bunny 2003

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Zuzje (Little Sister) 1995

Zuzje (Little Sister) 1995

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Involuntary (De ofrivilliga)  2008
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Musta jää (Black Ice) 2007

Musta jää (Black Ice) 2007

Tags: film nude fun
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baby love 1968

baby love 1968

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Scenes from a Marriage (Swedish: Scener ur ett äktenskap) 1973
have to stop watching Scandinavian films. they always make me cry.

Scenes from a Marriage (Swedish: Scener ur ett äktenskap) 1973

have to stop watching Scandinavian films. they always make me cry.